This joint composition between South Indian Carnatic singer and composer Supriya Nagarajan and composer Hari Baskar was developed during a residency at Snape Maltings and depicts the varied and ever-changing monsoon rains in Mumbai. The piece begins gently with an underlying ostinato drone, before breaking into dance-like, pulsing rhythms and more atmospheric melodies.

The third movement from Huldufólk - composed by Ailie Robertson Chroma Harp Duo are delighted to perform Ailie Robertson’s new work, Huldufólk, which was composed especially for them with the generous funding of the Ralph Vaughan Williams Trust and Creative Scotland. It is inspired by characters from Scottish, Nordic and Finnish folklore.

The second movement from Huldufólk - composed by Ailie Robertson Chroma Harp Duo are delighted to perform Ailie Robertson’s new work, Huldufólk, which was composed especially for them with the generous funding of the Ralph Vaughan Williams Trust and Creative Scotland. It is inspired by characters from Scottish, Nordic and Finnish folklore. Metsänpiika, or Forest Maiden, is a character from Finish folklore. A beautiful woman from the front, but hollow from the back, she symbolises the femininity and mythical elements of the forest. To encounter her is considered a good omen, but she is not to be followed or chased. A number of extended techniques are used in this movement to invoke the sounds of a forest and an audience with Metsänpiika.

The first movement from Huldufólk - composed by Ailie Robertson Chroma Harp Duo are delighted to perform Ailie Robertson’s new work, Huldufólk, which was composed especially for them with the generous funding of the Ralph Vaughan Williams Trust and Creative Scotland. It is inspired by characters from Scottish, Nordic and Finnish folklore. The first movement tells the story of The Blue Men of the Minch. Also known as storm kelpies, they inhabit the water between the northern Outer Hebrides and mainland Scotland. Rising out of the sea, they present the skipper of each boat with a couple of lines of poetry, challenging them to complete the verse to save the ship and their lives.

The third movement in a trilogy of pieces titled Odyssey, composed by Amy Turk. This piece was commissioned and performed by The Chroma Harp Duo (Becki Luff and Lucy Nolan). "The pieces explore the properties of 3 precious metals through my synaesthesia and each song tells the story of a character from Greek mythology - with mythical and symbolic links to the corresponding metal. In this movement we hear Dionysus, god of wine and festivities throwing one final party before ascending to mount Olympus. Gods in disguise party with unsuspecting mortals and a divine madness descends on the festivities." Updates from Chroma Harp, and details about their live concerts can be found through their Instagram page @chromaharp or their website: chromaharp.co.uk

The second movement in a trilogy of pieces titled Odyssey, composed by Amy Turk. This piece was commissioned and performed by The Chroma Harp Duo (Becki Luff and Lucy Nolan). "The pieces explore the properties of 3 precious metals through my synaesthesia and each song tells the story of a character from Greek mythology - with mythical and symbolic links to the corresponding metal. Silver depicts the hunter goddess Artemis with her bow, chasing a deer through a forest under the full moon. When she tracks down her pray she is faced with a choice: to complete the hunt or to spare the deer, who is a mother protecting her fawn." Updates from Chroma Harp, and details about their live concerts can be found through their Instagram page @chromaharp or their website: chromaharp.co.uk

The first movement from Carlos Salzedo's Pentacle Suite for two harps.

Arranged for two harps and castanets by Patricia Masri-Fletcher.

The fifth and final movement from Carlos Salzedo's Pentacle Suite for two harps. Find more from Chroma Harp at: www.chromaharp.co.uk or follow us on Instagram @chromaharp